Camas Thairbearnais
Exhibited at Galerie Data, Paris. Custom software, drawing robot, sepia ballpoint pen on yupo paper. 30 x 42cm unframed. Limited edition of 5. Each piece is a unique original drawing, not a print. The top of the drawing traces part of the northern coastline of the remote Hebridean Island of Canna. The lines further down the page are gradually distorted by the sound of the waves on that same coast that I recorded there in September 2020.
For each drawing sold, I will donate £5 to Trees for Life, to offset carbon and support the rewilding of the Scottish Highlands.
A note on care of the drawings: where possible I use ink that is certified for archival purposes, however even these inks can fade or change colour when exposed to UV light. I recommend avoiding hanging original drawings in direct sunlight, and using UV filtering glass when framing if possible.
Exhibited at Galerie Data, Paris. Custom software, drawing robot, sepia ballpoint pen on yupo paper. 30 x 42cm unframed. Limited edition of 5. Each piece is a unique original drawing, not a print. The top of the drawing traces part of the northern coastline of the remote Hebridean Island of Canna. The lines further down the page are gradually distorted by the sound of the waves on that same coast that I recorded there in September 2020.
For each drawing sold, I will donate £5 to Trees for Life, to offset carbon and support the rewilding of the Scottish Highlands.
A note on care of the drawings: where possible I use ink that is certified for archival purposes, however even these inks can fade or change colour when exposed to UV light. I recommend avoiding hanging original drawings in direct sunlight, and using UV filtering glass when framing if possible.
Exhibited at Galerie Data, Paris. Custom software, drawing robot, sepia ballpoint pen on yupo paper. 30 x 42cm unframed. Limited edition of 5. Each piece is a unique original drawing, not a print. The top of the drawing traces part of the northern coastline of the remote Hebridean Island of Canna. The lines further down the page are gradually distorted by the sound of the waves on that same coast that I recorded there in September 2020.
For each drawing sold, I will donate £5 to Trees for Life, to offset carbon and support the rewilding of the Scottish Highlands.
A note on care of the drawings: where possible I use ink that is certified for archival purposes, however even these inks can fade or change colour when exposed to UV light. I recommend avoiding hanging original drawings in direct sunlight, and using UV filtering glass when framing if possible.